Juxtaposition Poems

1\ 'mortar and pestle' as a metaphor for 'woman':-

 

 

 

 

 

 

   

 

 

 

 

Without the mortar there is no use of the pestle,

                                       and without the pestle there is no hope for the mortar.

when the pestle hit the mortar the make harmony,                                                 

                                       and when they touch they make everything sweet and juicy.

 

 

 

 

2\ Pain:-

 

 

 

 

 

 

 

 

 

 

We have to feel the pain to know how does it taste,

                                     if we don't feel pain then there is a mistake

Pain is like surrender your soul to the darkness inside you,

                                     it feels bad but after it you can feel the good in you.

 

 

 

 

3\ Happiness:-

 

 

 

 

 

 Happiness is being home again,
Happiness is walking in the rain.
Happiness is waking up with no pain.
Happiness is when you are not alone

Happiness is what make us warm

Happiness  is the best charm

 

 

 

 

 

 

 

Juxtaposition

i have learn t that Combining two animals in one can create very unimaginable ideas and those ideas were the main reason of the creation of myth's.

Stop Smoking + Traffic Light

1st we put 2 magnets with same sign [+ + or - -] So when the smoker want to smoke he cant put the cigarette in his mouth.
2nd we draw death sign in the filter of the cigarette it will scare smokers
3rd we draw dirt on the cigarette to make it look nasty  

Mind map

A mind map is a diagram used to visually outline information. A mind map is often created around a single word or text, placed in the center, to which associated ideas, words and concepts are added. Major categories radiate from a central node, and lesser categories are sub-branches of larger branches. Categories can represent words, ideas, tasks, or other items related to a central key word or idea.
Mind maps can be drawn by hand, either as "rough notes" during a lecture or meeting, for example, or as higher quality pictures when more time is available. An example of a rough mind map is illustrated.
Other terms for this diagramming style are: "spider diagrams," "spider-grams," "spider-graphs," "webs", "mind webs", or "webbing", and "idea sun bursting". (A "spider diagram" used in mathematics and logic is different.)

Example:-

 

Historical examination of creativity

 Historical examination of creativity

                Ancient Egypt:-

Daily life 

Most ancient Egyptians were farmers tied to the land. Their dwellings were restricted to immediate family members, and were constructed of mud-brick designed to remain cool in the heat of the day. Each home had a kitchen with an open roof, which contained a grindstone for milling flour and a small oven for baking the bread. Walls were painted white and could be covered with dyed linen wall hangings. Floors were covered with reed mats, while wooden stools, beds rose from the floor and individual tables comprised the furniture.

The ancient Egyptians placed a great value on hygiene and appearance. Most bathed in the Nile and used a pasty soap made from animal fat and chalk. Men shaved their entire bodies for cleanliness; perfumes and aromatic ointments covered bad odors and soothed skin. Clothing was made from simple linen sheets that were bleached white, and both men and women of the upper classes wore wigs, jewelry, and cosmetics. Children went without clothing until maturity, at about age 12, and at this age males were circumcised and had their heads shaved. Mothers were responsible for taking care of the children, while the father provided the family's income.

 

The ancient Egyptians maintained a rich cultural heritage complete with feasts and festivals accompanied by music and dance.

Music and dance were popular entertainments for those who could afford them. Early instruments included flutes and harps, while instruments similar to trumpets, oboes, and pipes developed later and became popular. In the New Kingdom, the Egyptians played on bells, cymbals, tambourines, drums, and imported lutes and lyres from Asia. The sistrum was a rattle-like musical instrument that was especially important in religious ceremonies.

The ancient Egyptians enjoyed a variety of leisure activities, including games and music. Senet, a board game where pieces moved according to random chance, was particularly popular from the earliest times; another similar game was mehen, which had a circular gaming board. Juggling and ball games were popular with children, and wrestling is also documented in a tomb at Beni Hasan. The wealthy members of ancient Egyptian society enjoyed hunting and boating as well.

The excavation of the workers' village of Deir el-Madinah has resulted in one of the most thoroughly documented accounts of community life in the ancient world that spans almost four hundred years. There is no comparable site in which the organisation, social interactions, working and living conditions of a community were studied in such detail.

The ancient Egyptians produced art to serve functional purposes. For over 3500 years, artists adhered to artistic forms and iconography that were developed during the Old Kingdom, following a strict set of principles that resisted foreign influence and internal change. These artistic standards—simple lines, shapes, and flat areas of color combined with the characteristic flat projection of figures with no indication of spatial depth—created a sense of order and balance within a composition. Images and text were intimately interwoven on tomb and temple walls, coffins, stelae, and even statues. The Narmer Palette, for example, displays figures that can also be read as hieroglyphs. Because of the rigid rules that governed its highly stylized and symbolic appearance, ancient Egyptian art served its political and religious purposes with precision and clarity.

Ancient Egyptian artisans used stone to carve statues and fine reliefs, but used wood as a cheap and easily carved substitute. Paints were obtained from minerals such as iron ores (red and yellow ochre’s), copper ores (blue and green), soot or charcoal (black), and limestone (white). Paints could be mixed with gum Arabic as a binder and pressed into cakes, which could be moistened with water when needed.

Pharaohs used reliefs to record victories in battle, royal decrees, and religious scenes. Common citizens had access to pieces of funerary art, such as shabti statues and books of the dead, which they believed would protect them in the afterlife. During the Middle Kingdom, wooden or clay models depicting scenes from everyday life became popular additions to the tomb. In an attempt to duplicate the activities of the living in the afterlife, these models show labourers, houses, boats, and even military formations that are scale representations of the ideal ancient Egyptian afterlife.

Despite the homogeneity of ancient Egyptian art, the styles of particular times and places sometimes reflected changing cultural or political attitudes. After the invasion of the Hyksos in the Second Intermediate Period, Minoan-style frescoes were found in Avaris. The most striking example of a politically driven change in artistic forms comes from the Amarna period, where figures were radically altered to conform to Akhenaten's revolutionary religious ideas. This style, known as Amarna art, was quickly and thoroughly erased after Akhenaten's death and replaced by the traditional forms.

Historical development:-

		r n kmt 'Egyptian language' in hieroglyphs

The Egyptian language is a northern Afro-Asiatic language closely related to the Berber and Semitic languages. It has the second longest history of any language (after Sumerian), having been written from c. 3200 BC to the Middle Ages and remaining as a spoken language for longer. The phases of Ancient Egyptian are Old Egyptian, Middle Egyptian (Classical Egyptian), Late Egyptian, Demotic and Coptic.  Egyptian writings do not show dialect differences before Coptic, but it was probably spoken in regional dialects around Memphis and later Thebes.

Ancient Egyptian was a synthetic language, but it became more analytic later on. Late Egyptian develops prefixal definite and indefinite articles, which replace the older inflectional suffixes. There is a change from the older verb–subject–object word order to object. The Egyptian hieroglyphic, hieratic, and demotic scripts were eventually replaced by the more phonetic Coptic alphabet. Coptic is still used in the liturgy of the Egyptian Orthodox Church, and traces of it are found in modern Egyptian Arabic.